#Libec H25 / RT30B / BR-2B / FP-2B / RC-30

The Libec HS-250M is a professional, continuous-counterbalance video support system bundle. It is engineered for lightweight to mid-sized production rigs, such as fully equipped mirrorless setups, compact cinema cameras, and standard handheld field configurations.

This specific package uses a mid-level spreader layout, which optimizes the hardware for quick deployment on uneven field terrain, stadium seating, and rugged outdoor locations.

Component Breakdown

• H25 Fluid Head: A seventy-five millimeter dual-base fluid head featuring a flat bottom alongside a traditional half-ball casting. It provides an adjustable counterbalance system backed by a continuous spring tension knob and an illuminated reference meter dial. The pan and tilt drag modules deliver three distinct levels of smooth, stepped fluid resistance plus a zero free setting.

• RT30B Tripod Legs: High-stability, two-stage aluminum alloy legs utilizing robust die-cast metal casings at the upper leg hinges. Built with an industry-standard seventy-five millimeter bowl diameter, these legs offer excellent torsional resistance to counteract whip-pans. Leg extensions are firmly secured using rapid rotary clamping levers.

• BR-2B Mid-Level Spreader: A telescopic, locking mid-level spreader built from durable engineered resin. By bracing the legs higher up from the ground rather than at floor level, it allows the tripod legs to be set up securely at staggered heights on stairs, steep slopes, or rocky terrain.

• FP-2B Rubber Feet: A set of three thick, snap-on rubber pads that fit tightly over the built-in lower leg metal spikes. These protect delicate indoor surfaces, gym floors, or polished studio tiling from scratches while increasing friction to prevent slipping.

• RC-30 Carrying Case: A custom-contoured, water-resistant nylon transport bag. It features a heavy-duty, end-to-end zipper layout, reinforced carry handles, and an adjustable shoulder strap to safely house the collapsed system during travel.

Core System Specifications

Operational System Tips for the HS-250M:

💡 The True Balance Balancing Test: To get the most out of the H25 perfect counterbalance mechanism, never balance your camera with a half-empty battery or without your intended audio receivers attached. Rig your camera exactly as it will be used on set, slide it onto the head channel, and balance it horizontally. Next, loosen the tilt lock, tilt the camera to forty-five degrees, and let go of the pan bar. Turn the continuous counterbalance dial until the camera floats completely stationary on its own at that angle. This eliminates muscular fatigue on long tracking shoots since you will not have to fight the camera to keep it from tilting.

• Managing Sliders and Dollies: If your shoot requires a sudden transition to a tabletop slider, you do not need a second fluid head. Loosen the seventy-five millimeter tie-down handle underneath the tripod bowl completely to separate the H25 head from the legs. The flat surface underneath the ball housing features a standard three eighths inch sixteen female thread, allowing you to bolt the head straight onto flat-base production gear.