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Description
Lexmark CX860dtfe Laser Multifunction Printer - ColorThe Lexmark CX860dtfe is a production class color laser multifunction printer designed to handle demanding office workloads with speed, precision, and reliability. Built as a high output A4 MFP, it pushes color printing to professional grade levels at up to 60 pages per minute, delivering bold, vibrant results for reports, marketing collateral, and business critical documents. With a robust 1. 6 GHz processor and a large standard input capacity, this
The Lexmark CX860dtfe is a production-class color laser multifunction printer designed to handle demanding office workloads with speed, precision, and reliability. Built as a high-output A4 MFP, it pushes color printing to professional-grade levels at up to 60 pages per minute, delivering bold, vibrant results for reports, marketing collateral, and business-critical documents. With a robust 1.6 GHz processor and a large standard input capacity, this device is engineered to keep teams productive, minimize interruptions, and finish large print runs in less time than you might expect.
- Production-class performance: print speeds up to 60 pages per minute in color, enabling rapid turnaround for high-volume jobs and busy workstreams.
- Full-featured A4 color MFP: combines high-quality color output with versatile scanning, copying, and multi-function workflow capabilities designed for everyday business tasks.
- Inline staple finisher: finish documents in-house with a built-in stapling option, helping you create professional, ready-to-distribute packets without outsourcing.
- High-capacity input: standard input capacity supports large print runs, reducing the need to replenish paper frequently and keeping teams moving forward.
- Ease of use and reliability: trusted Lexmark engineering delivers consistent color, simple operation, and dependable performance to support productive workdays.
Technical Details of Lexmark CX860dtfe Laser Multifunction Printer - Color
- Model: Lexmark CX860dtfe
- Type: Color Laser Multifunction Printer (MFP)
- Print speed: Up to 60 pages per minute
- Processor: 1.6 GHz
- Standard input capacity: up to 1750 pages
- Finisher: Inline staple finisher
- Supported formats: A4 and Letter size media
- Functionality: Print, Copy, Scan, Fax (as applicable in configurations)
how to install Lexmark CX860dtfe Laser Multifunction Printer
- Unbox the printer and place it on a stable, level surface near a power outlet and network connection.
- Remove all protective packaging, tabs, and materials from the device and trays, then install any initial toner or imaging supplies as directed in the setup guide.
- Connect the printer to power, turn it on, and select your language and country/region on the initial setup screen.
- Install the printer drivers and software on your computer or network using the included installation CD or by downloading the latest drivers from Lexmark’s official site. Follow the on-screen prompts to complete the installation.
- Configure basic network settings (Wired Ethernet preferred for reliability) so the CX860dtfe can be discovered by all users on the network. Add the printer to your devices list and set a default printing preferences if needed.
- Load paper into the trays, attach the inline staple finisher, and run a test print to verify correct media handling and finishing.
- Secure any required firmware updates and set up user access controls or permissions to align with your organization’s security policies.
Frequently asked questions
- What is the maximum print speed of the Lexmark CX860dtfe? It delivers up to 60 pages per minute in color, enabling fast completion of large print jobs and rapid response to document-heavy workflows.
- What media sizes does it support? The printer supports A4 and Letter size media, making it suitable for standard office documents, reports, and marketing materials.
- Does it include an inline staple finisher? Yes, the CX860dtfe features an inline staple finisher to assemble professional, ready-to-distribute documents in-house, reducing the need for outsourcing finishing tasks.
- What is the standard input capacity? It offers up to 1750 pages in its standard input capacity, helping to minimize interruptions during long print runs.
- What processor does it use and how does that affect performance? The printer is powered by a 1.6 GHz processor, which supports efficient processing for color output, scans, copies, and multi-function tasks, contributing to smooth, production-like performance.
- Is this suitable for production environments? Yes. Described as a production-class color laser MFP, it is designed to handle demanding workloads, deliver high-quality color output, and provide reliable operation in busy office settings.
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4.1 ★★★★★
Based on 2328 reviews
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Product Reviews
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader.
This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story.
I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
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Reviewed in the United States on November 22, 2016
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017