Chief Impact On-Wall Kiosk - Portrait - For 70" Monitors
SKU: 69092600505

Chief Impact On-Wall Kiosk - Portrait - For 70" Monitors

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Description

Chief Impact On-Wall Kiosk - Portrait - For 70" MonitorsThe Chief Impact On Wall Kiosk in portrait configuration delivers a superior, space efficient digital signage enclosure designed to showcase a 70" monitor with maximum impact. Built to blend seamlessly into corporate lobbies, retail spaces, education environments, and hospitality settings, this depth adjustable exterior frame accommodates a wide range of displays while meeting minimum protrusion depth requirements for a clean, flush appearance. The

The Chief Impact On-Wall Kiosk in portrait configuration delivers a superior, space-efficient digital signage enclosure designed to showcase a 70" monitor with maximum impact. Built to blend seamlessly into corporate lobbies, retail spaces, education environments, and hospitality settings, this depth-adjustable exterior frame accommodates a wide range of displays while meeting minimum protrusion depth requirements for a clean, flush appearance. The enclosure is purpose-built for reliability in commercial applications, offering a sleek aesthetic, robust security, and thoughtful cable management that keeps content front and center. Whether you’re delivering wayfinding, branding, or dynamic messaging, the Impact On-Wall Kiosk provides a flexible, enduring platform that supports high-visibility display content and simple maintenance in busy environments.

  • Flexible display compatibility: The depth-adjustable exterior frame is designed to fit most 70" class screens from leading brands, enabling easy portrait installations across models while strictly adhering to minimum protrusion depth requirements for safe, compliant mounting. This forward-compatible design accommodates future display upgrades without requiring structural changes, helping protect your signage investment over time. It also supports a variety of mounting patterns and VESA configurations, simplifying the swap-out process when content needs evolve or new hardware is introduced.
  • Sleek, professional design: A low-profile, modern silhouette with clean lines ensures the enclosure complements a wide range of environments—corporate lobbies, retail storefronts, healthcare facilities, and hospitality venues—without competing with the message on screen. The durable, powder-coated exterior maintains a premium appearance even in high-traffic areas, while the portrait orientation optimizes sightlines and messaging density. The refined form factor helps elevate brand presentation while maintaining a discreet, signage-forward presence.
  • Enhanced maintenance and security: The enclosure emphasizes secure protection for valuable display components while offering practical maintenance features. Integrated cable management channels reduce clutter and strain on connections, helping to extend the life of your hardware. A secure access design minimizes tampering risk and supports straightforward service to replace or upgrade internal components, ensuring content remains uninterrupted and legible in demanding environments.
  • Ease of integration and installation: Engineered for straightforward wall mounting, the Impact On-Wall Kiosk streamlines installation workflows and reduces on-site complexity. Clear mounting references, modular backbox access, and organized cable routing support efficient setup and tidy, professional results. The design also facilitates quick content updates and routine maintenance, enabling facilities teams to keep signage current with minimal downtime during updates and upgrades.
  • Versatility for diverse environments: Designed to accommodate portrait signage across education, corporate, retail, hospitality, and public signage applications, this kiosk delivers a polished, durable solution for engaging, high-impact messaging. Its rugged construction, combined with a refined aesthetic, makes it suitable for reception areas, campuses, airports, museums, and training centers where clear communication and dependable operation matter most.

Technical Details of Chief Impact On-Wall Kiosk - Portrait - For 70" Monitors

  • Get this information from the "specifications" section of the product from https://ec.synnex.com/ using product "UPC" or "SKU" as reference

How to install Chief Impact On-Wall Kiosk

  • Before you begin, verify that the wall structure can safely support the combined weight of the kiosk and the mounted 70" display; consult local building codes and install a suitable mounting surface with appropriate fasteners and anchors rated for the substrate. Prepare a clean workspace and protect the display surface from dust and static as you plan the layout.
  • Unpack the enclosure and inspect all components for shipping damage. Confirm that you have all required hardware, mounting brackets, backbox plugs, and cable management accessories included in the kit. If any items are missing or damaged, do not proceed; contact the vendor for replacements before installation to avoid compromised mounting integrity.
  • Mount the backbox or wall plate to the selected wall using the supplied hardware. Use a level to ensure proper alignment and tighten fasteners to the manufacturer’s recommended torque. Verify that mounting points align with the display’s VESA pattern and that there is sufficient clearance for ventilation, cables, and future service access.
  • Route power and video cables through the enclosure’s channels, ensuring cables are correctly secured and do not interfere with doors or closing mechanisms. Connect the display to its source and verify that video signals, power, and any peripheral devices (such as media players or controllers) are functioning properly before sealing the enclosure.
  • Attach the portrait monitor to the mounting system inside the enclosure, make final alignment adjustments for level and tilt if applicable, close and secure the enclosure doors, and perform a functional test. Confirm that the display powers on, content renders correctly in portrait mode, and the signage software responds reliably to content updates and scheduling cues.
  • Perform a final inspection to confirm accessibility for routine maintenance, verify cable management remains neat, and ensure there are no gaps or misalignments that could compromise aesthetics or airflow. Document the installation with photos for future service and warranty records.

Frequently asked questions

  • Q: What screen size does the Chief Impact On-Wall Kiosk support?
    A: It is designed to accommodate a 70" class display in portrait orientation, delivering bold signage with strong visibility in vertical layouts.
  • Q: Which orientation is supported?
    A: The enclosure is optimized for portrait orientation to maximize screen height and readability in narrow spaces, making it ideal for corridors, reception areas, and signage walls.
  • Q: Is the depth adjustable?
    A: Yes. The exterior frame features depth-adjustment to accommodate a variety of display models while maintaining the required protrusion depth for proper installation and safety.
  • Q: Is professional installation recommended?
    A: Given the weight and precision required to mount a 70" display within a fixed enclosure, professional installation is strongly recommended to ensure safety, alignment accuracy, and long-term reliability.
  • Q: Can I service the kiosk after installation?
    A: The design prioritizes accessible maintenance while protecting interior components, enabling periodic service and component upgrades with minimal downtime and disruption to signage content.
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SKU: 69092600505

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4.4 ★★★★★
Based on 1292 reviews
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Product Reviews
D
Verified Purchase
Diana D
Omaha, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Belleville, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
New York, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Dallas, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Fort Morgan, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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