Tasting Rain
SKU: 23145615379

Tasting Rain

$41.31 $45.90
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Description

Tasting RainOriginal Design by Tracy Porter Made in the USA The printed work of art is a true representation of the artist's intended style and technique, often incorporating an implied definition or graininess to evoke a particular mood or aesthetic. Each product is made to order. All Sales Final: No Returns, Exchanges or Refunds. Paper Print: Premium gicle print on museum quality archival fine art matte paper, which captures every nuance and detail of the

Original Design by Tracy Porter

Made in the USA

The printed work of art is a true representation of the artist's intended style and technique, often incorporating an implied definition or graininess to evoke a particular mood or aesthetic.

Each product is made-to-order. All Sales Final: No Returns, Exchanges or Refunds.

Paper Print: Premium giclée print on museum-quality archival fine art matte paper, which captures every nuance and detail of the original piece with stunning clarity, with an additional 1" border added to the dimensions.

Loose Canvas: Premium giclée print on museum-quality archival fine art canvas using high-quality archival inks

  • Museum-quality canvas material for beautiful, rich color and texture
  • 1" white border is added to each side of the printed image
  • Delivered unmounted and rolled

Wrapped Canvas: Premium giclée print on museum-quality archival fine art canvas using high-quality archival inks, gallery-wrapped over a wooden frame.

  • 1½" deep
  • Mirrored Image Wrap
  • Includes hanging hardware attached and ready to hang

Framed Print: Framed Print: Premium giclée print on museum-quality archival fine art matte paper in a wood frame with kraft paper dust cover backing, 1", 2" or no mat (in black or white). Includes optical grade acrylic glass and hanging hardware, attached and ready to hang. Available in 8 different styles:

A: 7/8" w x 7/8" deep in Black, White or Natural Oak Frame

B: 2" w x 1 1/16 deep in Black with Gold

C: 3"w x 7/8" deep in Black with Gold

D: 1 1/8" w x 3/4" deep in two colors: black gold and black silver

E: 3" w x 1" deep barnwood driftwood in two colors: gray and white

F: 2 5/8" w x 1" deep in espresso gold

G: 3 1/4" w x 1 3/8" deep in copper

H: 3" w x 1 1/8" deep in gold

Your work of art will ship in 2-4 business days.



--- Art Description ---
This abstract painting features a stylized, spotted dog alongside an equally abstract human figure, rendered with bold brushstrokes and a rich, textured palette. A dark blue background contrasts with warm, earthy tones and vibrant pinks and yellows, while a checkered pattern anchors the foreground. The artwork evokes a sense of companionship through its expressive and simplified forms.
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 23145615379

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4.1 ★★★★★
Based on 1025 reviews
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Product Reviews
A
Verified Purchase
aariann ibatuan
Waukegan, US
★★★★★ 5
Beautiful Book
Format: Hardcover
I love this book and it’s so pretty!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 13, 2023
M
Verified Purchase
Miscellaneous Notes
Whiting, US
★★★★★ 5
Beautiful Book!
Format: Hardcover
A beautiful edition of one of my childhood favorites!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 22, 2023
S
Verified Purchase
Shava Nerad
Waukegan, US
★★★★★ 5
You can get this online free, but I bought it. Let Fanon turn your brain inside out.
I actually like the idea of supporting a press that is publishing Fanon. When I was growing up with my dad working with the SCLC and Dr. Martin Luther King, Jr., as part of the night security crew for the summer marches, I was probably more aware than most Americans -- certainly most Americans outside of the black community -- of how much permeability there was between the nonviolent SCLC, and the Black Panther movement, for which Fanon was a seed influence. Youth in the SNCC organization, the youth group associated with the SCLC, often went back and forth between SNCC and the Panthers as they developed their activist identity and their ideas of how justice might be achieved. The phrase "by any means necessary" used by the Panthers often scared the bejeezus out of the white community. But when I sat down with my father -- who was an adherent of formal nonviolence -- he handed me Fanon to read, and told me that it was a valid investigation as to whether violence should be considered if nonviolent means were not entertained by the state. To my dad, who was a peaceful but fiercely justice-oriented man (for those of you who know the idiom "fire of Amos" he had it), he considered that without the counterpoint of the Panthers, MLK would never have gotten a hearing in Washington DC. Just the idea that there were revolutionaries in American society looking at American "apartheid" and saying, "We are willing to take care of our own if you separate us. We see our situation as that of a post-colonial slavery society and use the model of African liberation as our model. We are willing to be peaceful if we are given justice in peace, but we do not believe that you are acting in good faith and will use whatever means necessary to see you follow your own promises of justice and see justice for our own people if you will not see that done." That was actually a step down from Fanon. That was actually optimism. But all white Americans heard out of any of that was: "...by any means necessary." They didn't think of how they were creating the circumstances that might precipitate violence. That whites had created a system that instituted violence to keep slaves, and later free blacks, contained and preserve power and privilege for the white majority. It is hard for most Americans to even realize that America -- although we became independent from England -- continued as a colonial nation and economy on our own continent and territory. That all the institutions of the repression and destruction of indigenous and imported-slave cultures that happened "over there" in countries that Europeans colonized far from home, we did at home as a break-away colony, and the Europeans who conquered America never relented, compromised, or acknowledged that colonial reality in the way that the Spanish, Dutch, Portuguese, Italian, French, and British Empires did in their colonial domains. So Fanon is someone worth reading, not only for Africans, or for African-Americans, but for any American or anyone else in the world who wants to better ponder white privilege in America and how it became so very different from colonial privilege as that faded in Africa, through the lens of this Algerian revolutionary philosopher, who so influenced our Panthers. I remain committed to nonviolence personally, but I understand intensely how MLK and Malcolm balance each other. And how that can actually lead to better peaceful solutions, in a social justice conflict where the status quo has been preserved by judicial and extrajudicial violence by a superior force. This is still relevant in puppet regimes all over the world. In client states of capitalist powers and of Russia and China. In the conflicts surrounding Israel, and the conflicts throughout the Middle East and Central Asia that are often couched in sectarian terms or sectarian vs secular terms. It is vital to understanding countries like Zimbabwe or South Africa, where the dynamics of early black leadership as colonial-wannabes are creating environments of corruption and scandal, and robbing their own people. Everyone should read Fanon. If you can't afford the book here, you can find it online free. This book, and Black Skin, White Masks, both highly recommended. If you don't like Marxist/Socialist politics, try to suspend disbelief a bit. The philosophy, sociology, and psychology is amazing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 28, 2019
T
Verified Purchase
TH
Port Orchard, US
★★★★★ 5
The destruction of racism
Format: Paperback
This is a very open and candid view of racism in the early 19th century
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 22, 2026
B
Verified Purchase
Benguet Bill
Louisville, US
★★★★★ 5
good read
Format: Paperback
classic work on imperialism
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 11, 2026

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