SKU: 71203855671

Spiritual Front - The Queen Is Not Dead [with bonus 7-inch]

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Spiritual Front - The Queen Is Not Dead [with bonus 7-inch]Gatefold LP (black vinyl) with printed inner sleeve, additional 7inch single and protection sleeve. "The Queen Is Not Dead" is not your average Spiritual Front album, but then again, nothing about the Italian suicidal pop outfit has ever been lukewarm or middle of the road anyway. In fact the eighth studio full length from the Romans is "a homage to Morrissey's and Johnny Marr's legendary hymns of unquestionable beauty", according to Simone Salvatori.

Gatefold LP (black vinyl) with printed inner sleeve, additional 7inch single and protection sleeve.

"The Queen Is Not Dead" is not your average Spiritual Front album, but then again, nothing about the Italian suicidal pop outfit has ever been lukewarm or middle of the road anyway. In fact the eighth studio full-length from the Romans is "a homage to Morrissey's and Johnny Marr's legendary hymns of unquestionable beauty", according to Simone Salvatori.

The band's founder and frontman claims THE SMITHS as a major musical inspiration for every member of Spiritual Front. The Italians recorded the album with the explicit aim to pay a respectful homage yet at the same time to stay away from cloning. Across fifteen cover tracks, which many consider sacred, the Italians stayed true to the original recordings, while pulling those songs closer to the sonic world of Spiritual Front for example by adding strings and horn parts.

Salvatori and his fellow band members, guitarist Francesco Conte and Andrea Freda on drums, are joined by bass player Daniele Raggi, a string sextet and a horn player as well as a plethora of contributions by friends, among others including vocalist Durga McBroom (PINK FLOYD, BLUE PEARL), Riccardo Galati, Filippo Marcheggiani (BANCO DEL MUTUO SOCCORSO), Michal Stepien (MGÅ?A), Jairo Zavala (CALEXICO), King Dude, Traci Danielle (MY LIFE WITH THE THRILL KILL KULT), Riccardo Spilli (IL BALLETTO DI BRONZO) and Sasha Boole (ME AND THAT MAN). Formed in 1999 as the solo project of Salvatori, Spiritual Front have since released numerous full-length albums, singles, EPs and collaborations. The Italians describe their sound as "catchy ballads for heartbreaker nihilist youth".

Lyrically, Spiritual Front have dealt with themes such as searching for self-identity, sexuality, harsh realities and angry break-ups, which are often tinted with sarcasm, nihilism, and a biting sense of humour. Furthermore, the Italians have collaborated with renowned artists such as LYDIA LUNCH, ORDO ROSARIUS EQUILIBRIO, and many others, while also contributing to the soundtracks of the TV series "Las Vegas" and the motion picture "Saw 2" as well as further independent films, theatre productions, and modern ballet. Spiritual Front are paying a heartfelt tribute to THE SMITHS, who have accidentally composed the soundtrack of their lives, forever bonding their greatest emotions to notes and words.

Tracklist: 01. Still Ill 02. Ask 03. There is a Light That Never Goes Out 04. How Soon is Now? 05. This Charming Man 06. Girl Afraid 07. Panic 08. Bigmouth Strikes Again 09. Girlfriend in a Coma 10. The Boy With The Thorn In His Side 11. Barbarism Begins at Home 12. What Difference Does It Make? 13. Please, Please, Please Let Me Get What I Want 14. Shoplifters of the World Unite 15.

The Queen is Dead Bonus CD (only artbook): 01. The Queen is Dead (Orchestral Version) 02. Ask (Acoustic alt. Version) 03. Bigmouth Strikes Again (Acoustic alt. Version) 04. What Difference Does It Make? (Orchestral Version) 05. Barbarism Begins at Home (Strings version) 06. Shoplifters of the World Unite (Acoustic alt. Version) 07. Girl Afraid (Main theme) 08. Panic (Acoustic alt. Version) 09. There is a Light That Never Goes Out (Acoustic alt. Version) 10. The Boy With the Thorn in His Side (Epilogue) 11. How Soon is Now? (Live in the Etruscan tomb)

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SKU: 71203855671

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Raquel Wilbon
Belleville, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
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amber a
Boise, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
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Ruth Franklin
Grantham, US
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
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Reviewed in the United States on February 26, 2017
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K. Hamil
Dallas, US
★★★★★ 5
Wonderful story, great for book club though written by a young adult author.
Format: Kindle
Such a “cliffhanger” for me, a just could not put it down. I read this Wild West historical novel three times, that is how good it was. Such great fun for me, while got the ladies in our book club talking about growing up, being brave.
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Reviewed in the United States on November 18, 2024
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Mainer
Draper, US
★★★★★ 5
My pick for Best YA from 2015
Format: Kindle
I don't usually like Westerns, but this historical novel reads like a racially diverse Little House on the Prairie. There's a touch of romance, but the most important relationship is the friendship between these two resourceful girls. The writing is superb with well developed characters, a fast pace and a fine sense of place and period (1849). Despite dealing with tough issues like murder, slavery and racism, it still manages to be a feel good story, appropriate for tweens as well as teens. The girl protagonists are 15 and 16 and the boys are a bit older. This debut tops my list of best YA from 2015 that I've read to date: http://blog.sarahlaurence.com/2015/12/best-ya-books-of-2015.html
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Reviewed in the United States on December 18, 2015

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